I Used to Be a Superwoman by
The Chicano Movement is not dead. It lives on, fierce and passionate, in the voice and person of Gloria Velasquez. Her ardent verses are a pledge reiterating her allegiance to la causa and a call to arms demanding that others perpetuate the struggle. A consummate oral performer and speaker, Velasquez has been uniquely successful in transferring onto the printed page the drama of reciting poetry on barrio streets. These pages burn with the fire of action and commitment.
A Bilingual Anthology of Poems by Ruben Dario (1867-1916) by
The bilingual anthology of Ruben Dario's poetry is arranged in chronological order corresponding to the author's age at the time of publication.
Selected Poems - Poesia Selecta by
Although today Luis Pales Matos is virtually unknown to most American readers, the eminent U.S. poet and writer William Carlos Williams once praised his younger contemporary as "one of the most important poets out of Latin America". Pales Matos was a native, and lifelong resident, of Puerto Rico. Though he was not black, he became one of the Caribbean's leading advocates of poesia negra (black poetry). His landmark 1937 collection Tuntun de Pasa y Griferia: Poesia Afro-Antillana (Tom-Tom of Kinky Hair and Black Things: Afro-Caribbean Poetry) joyously celebrated the African aspects and sources of Puerto Rico's culture and influenced later generations of writers throughout the Western hemisphere. Translator Julio Marzan has selected the best of Pales Matos's poems from throughout his career, among them "Prelude in Boricua", "Danza Negra", "Buccaneer Winds", and "Elegy on the Duke of Marmalade". He also provides a helpful glossary of obscure terms and an introduction that locates Pales Matos in the broader,cultural context of his contemporaries and poetic influences -- including such North American poets as Walt Whitman, Edgar Allan Poe, and Vachel Lindsay.
Anthology of Contemporary Latin American Poetry by
A bilingual edition of major poets representing the many movements and varied spirits of contemporary Latin American literary ferment. The book begins with poems published after the death of Ruben Dario in 1916, with this esteemed poet serving as a demarcation of older tradition.
Between the Heart and the Land by
"...While the literary voices of U.S. Puerto Rican poets and fiction writers and their Chicano/a counterparts on the West Coast and in the Southwest have been anthologized, duly canonized and even mainstreamed by the Anglo literary market, very little is heard about Latinoa /a writers and poets from the Midwest... Between the heart and the Land/Entre el corazon y la tierra encompasses a rich array of women of various national origins--Dominican, Cuban, Cost Rican, Bolivian, Salvadorian, Columbian, Argentinian, Mexican, Chicana, and Puerto Rican--as well as of diverse socioeconomic and work experiences, sexuality, sexual identities, age and generational experiences..." ---From the foreword by Frances Aparicio, Ph.D. Latin/American Studies, University of Illinois at Chicago "Between the heart and theLand/Entre el corazon y la tierra is a poetic and bold testament of the undeniable Latina presence in the heartland of the united States." --- Ana Castillo
The Oxford Book of Latin American Poetry by
Here is the first anthology to present a full range of multilingual poetries from Latin America, covering over 500 years of a poetic tradition as varied, robust, and vividly imaginative as any in the world. Editors Cecilia Vicu~na and Ernesto Livon-Grosman present a fresh and expansive selection of Latin American poetry, from the indigenous responses to the European conquest, through early feminist poetry of the 19th century, the early 20th century "Modernismo" and "Vanguardia" movements, laterrevolutionary and liberation poetry of the 1960s, right up to the experimental, visual and oral poetries being written and performed today. Here readers will find several types of poetry typically overlooked in major anthologies, such as works written or chanted in their native languages, thevibrant mestizo (mixed) creations derived from the rich matrix of spoken language in Latin America, and even the mysterious verses written in made-up languages. In addition to the giants of Latin American poetry, such as Cesar Vallejo, Vicente Huidobro, Pablo Neruda, Octavio Paz, Haroldo and Augustode Campos, and Gabriela Mistral, the editors have included a selection of vital but lesser known poets such as Pablo de Rohka, Blanca Varela, and Cecilia Meireles, as well as previously untranslated works by Simo n Rodriguez, Bartolome Hidalgo, Oliverio Girondo, Rosa Araneda, and many others. Inall, the anthology presents more than 120 poets, many in new translations-by poets such as Jerome Rothengerg, W.S. Merwin, and Forrest Gander-specially commissioned for this anthology, and each accompanied by a biographical note. The book features both English and original language versions of thepoems, a full bibliography, and an introduction by the editors. Sure to stand as the definitive anthology for decades to come, The Oxford Book of Latin American Poetry remaps the territory, offering new ways of looking at a poetry as diverse and complex as Latin America itself.
Twentieth-Century Latin American Poetry by
Latin Americans have written some of the world's finest poetry in the twentieth century, as the Nobel Prizes awarded to Gabriela Mistral, Pablo Neruda, and Octavio Paz attest. Yet this rich literary production has never been gathered into a single volume that attempts to represent the full range and the most important writers-until now. Here, under one cover, are the major poets and their major works, which appear both in the original language (Spanish or Portuguese) and in excellent English translations. The poems selected include the most famous representative poems of each poetic tradition, accompanied by other poems that represent the best of that tradition and of each poet's work within it. Tapscott's selections cover the full range, from the Modernist generation though the Mexican Revolutionary post-Moderns and the Vanguardist poets to very contemporary younger writers of political and experimental commitments. In all, eighty-five poets, including Pablo Neruda, Nicanor Parra, Octavio Paz, Gabriela Mistral, Nicolás Guillén, Jorge Luis Borges, Julio Cortazar, Carlos Drummond de Andrade, Carlos Pellicer, César Vallejo, and Cecília Meireles, and over 400 poems are included, often in translations by some of North America's most esteemed poets.
Reversible Monuments by
Not since 1959 when Octavio Paz and Samuel Beckett publishedAn Anthology of Mexican Poetry, has there been a collection which so thoroughly examines the poetry of the country known for being "too far from God and too close to the United States." Yet, as Elliott Weinberger writes in his introduction, "Americans know everything about God, but next to nothing about Mexico--few know that Mexico-particularly when compared to the United States-is a kind of paradise for poets." Reversible Monuments introduces this "paradise" to American readers. It includes major international writers like Alberto Blanco, Pura Lopez Colome, and David Huerta, as well as exciting younger poets, and poets whose work, while well-known in the Spanish-speaking world has not yet seen publication in English. The twenty-five poets represented are as diverse as their American counterparts: They are urban, educated, younger, well travelled, aware of their literary heritage, and include Buddhists, feminists, Jewish poets, experimental poets, darkly brooding poets, and playfully entertaining poets. Until the Poem Remains by Francisco Hernandez Strip away all the flesh until the poem remains with the sonorous darkness of bone. And smooth the bone, polish it, sharpen it until it becomes such a fine needle, that it pierces the tongue without pain though blood chokes the throat. Reversible Monuments includes a healthy bilingual selection by each poet, features an introduction by Elliott Weinberger, and gathers the work of esteemed translators alongside that of younger translators. It also includes biographies of the poets, notes on the poetry, and an extensive bibliography of contemporary Mexican poetry.
The Counterpunch (and Other Horizontal Poems)/el Contragolpe (y Otros Poemas Horizontales) by
Alamar, the home of award-winning Cuban poet Juan Carlos Flores, is the setting for his collection, The Counterpunch and Other Horizontal Poems) / El contragolpe (y otros poemas horizontales). Constructed as a self-help community in eastern Havana, Alamar is the largest housing complex in the world. Flores's highly structured texts, organized into "art galleries," present prose paintings of a big place in very small form. Flores builds a poetic landscape with repeating structures that mirror Alamar's five-floor walkups. Exploring life and dream on the flat surfaces of the poems, he gives fleeting glimpses of perception and survival at the urban margins. As the poet ages, so ages Alamar itself. Yet both find renewal through poetry. The eighty poems in this bilingual edition offer the first English translation of a complete Flores collection. It will also be of interest to Spanish-language readers seeking access to Cuban literature abroad. Award-winning scholar and translator Kristin Dykstra has compiled an introduction in which she presents Flores, his literary contexts, and references in his poems. Because Flores made specific requests regarding translation, fascinating notes also clarify and expound on choices Dykstra makes in the English version. A deluxe edition with a handmade, limited-edition color linocut print, including a letterpress-printed poem signed by the author, is available directly from the University of Alabama Press.
¡Manteca! by
"We defy translation," Sandra María Esteves writes. "Nameless/we are a whole culture/once removed." She is half Dominican, half Puerto Rican, with indigenous and African blood, born in the Bronx. Like so many of the contributors, she is a blend of cultures, histories and languages. Containing the work of more than 40 poets--equally divided between men and women--who self-identify as Afro-Latino, ¡Manteca! is the first poetry anthology to highlight writings by Latinos of African descent. The themes covered are as diverse as the authors themselves. Many pieces rail against a system that institutionalizes poverty and racism. Others remember parents and grandparents who immigrated to the United States in search of a better life, only to learn that the American Dream is a nightmare for someone with dark skin and nappy hair. But in spite of the darkness, faith remains. Anthony Morales' grandmother, like so many others, was "hardwired to hold on to hope." There are love poems to family and lovers. And music--salsa, merengue, jazz--permeates this collection.Editor and scholar Melissa Castillo-Garsow writes in her introduction that "the experiences and poetic expression of Afro-Latinidad were so diverse" that she could not begin to categorize it. Some write in English, others in Spanish. They are Puerto Rican, Dominican and almost every combination conceivable, including Afro-Mexican. Containing the work of well-known writers such as Pedro Pietri, Miguel Piñero and E. Ethelbert Miller, less well-known ones are ready to be discovered in these pages.
Mexican Poetry by
The renowned Mexican poet and critic Octavio Paz assembled this important anthology-the first of its kind in English translation-with a keen sense of what is both representative and universal in Mexican poetry. His informative introduction places the thirty-five selected poets within a literary and historical context that spans four centuries (1521-1910). This accomplished translation is the work of the young Samuel Beckett, just out of Trinity College, who had been awarded a grant by UNESCO to collaborate with Paz on the project.
Puerto Rican Poetry by
Offering a comprehensive collection of Puerto Rican poetry in English, this text includes the work of 64 poets, as well as selections from Puerto Rico's tradition of popular verse forms - coplas, decimas, bombas - produced by anonymous writers.
The Return of the River by
Return of the River presents a wide selection of Roberto Sosa's poetry in superb translations by JoAnne Engelbert. Born in Yoro, Honduras in 1930 into a poor family, Roberto Sosa had to struggle hard to gain an education and didn't publish his first book until he was nearly thirty. After he won the Adonais Prize (1969) and the Casa de las Americas Prize (1971), critics recognized him as a major talent.
The Latin deli : prose and poetry by
From Library Journal
Poet and novelist Ortiz Cofer offers her readers an affecting view of Puerto Rican New York in this autobiographical assortment of essays and poems. Her stories celebrate, mourn, and honor Latinas, collectively and individually, and also consider the influential men in her own life: the author's beloved, unknowable, philandering father; the first boy she loved; her heartbreakingly deteriorating grandfather. The alternating sections of evocative prose and narrative poetry first construct a vision of life in the busy apartments of El Building and the shops of its neighborhood, then comment directly on self, heritage, culture clash, racism, and sexism. A strong, moving set of daughter-poems finishes this slim but substantial volume. Recommended for ethnic, womens', memoir, and larger general collections.
- Janet Ingraham, Worthington P.L., Ohio
Copyright 1993 Reed Business Information, Inc.
Poesía by
Jos Gorostiza (1901-1973), poeta y cr tico literario fue parte del grupo Contempor neos. Esta recopilaci n de su obras se incluye "Muerte sin fin", uno de los poemas m s c lebres de la literatura mexicana y considerado por muchos su obra maestra, traducida ya a varios idiomas.
Antologia personal Poesia, 1915-1974 by
Antología de la poesía de Salvador Novo, poeta mexicana.
